| Average Customer Rating: |  4.5 |
| Release Date: | 1995-10-24 |
| Publisher: | Virgin Records Us |
| Artist: | Smashing Pumpkins |
| Track 1: | Mellon Collie and the Infinite Sadness |
| Track 2: | Tonight, Tonight |
| Track 3: | Jellybelly |
| Track 4: | Zero |
| Track 5: | Here Is No Why |
| Track 6: | Bullet With Butterfly Wings |
| Track 7: | To Forgive |
| Track 8: | An Ode to No One |
| Track 9: | Love |
| Track 10: | Cupid de Locke |
| Track 11: | Galapogos |
| Track 12: | Muzzle |
| Track 13: | Porcelina of the Vast Oceans |
| Track 14: | Take Me Down - The Smashing Pumpkins, Iha, James |
| Track 1: | Where Boys Fear to Tread |
| Track 2: | Bodies |
| Track 3: | Thirty-Three |
| Track 4: | In the Arms of Sleep |
| Track 5: | 1979 |
| Track 6: | Tales of a Scorched Earth |
| Track 7: | Thru the Eyes of Ruby |
| Track 8: | Stumbleine |
| Track 9: | X.Y.U. |
| Track 10: | We Only Come Out at Night |
| Track 11: | Beautiful |
| Track 12: | Lily (My One and Only) |
| Track 13: | By Starlight |
| Track 14: | Farewell and Goodnight |
| Weight: | 2 pounds |
Product Categories
Product description
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This poster is 12 inches by 12 inches. It is in mint condition.
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Emotionally over-the-top pop extravaganzas like the string-swelling "Tonight Tonight," the Metallica-influenced alternative rock of "Zero," the techno via new wave of "1979"--the 28 songs on this swell two-disc album are as eclectic as their themes are epic and ambitious. Billy Corgan's thin whine isn't much of an instrument, but he makes the most of it by writing smart songs that take emotional chances that more-typical alt rockers would deem uncool. Pessimistic and feeling trapped but still wanting to believe in love, in a future, in something--this is the sound of Gen X at the millennium, with all the self-indulgence and power that would suggest. --David Cantwell
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Customer reviews
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Riding a creative crest
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This was the Pumpkins last (only truly 2nd) masterwork, even though it is bloated up by tons of indulgences, and perhaps one of the last great first-gen (only gen as far as I am concerned) alternative releases before the sub-standard waves of mediocrity swelled inland, even corroding this band to the its core.
Rating: 
(4
out of 5) @ 2008-12-30
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Pumpkins for the Rest of Us
»
If you like alternative rock, or just Rock n' Roll period, do yourself a favor and buy Mellon Collie and the Infinite Sadness. I bought it for one reason: It contains some of the best radio hits of the '90s!
I have a TERRIBLE time trying to remember the titles of the songs I loved as a teenager--thanks in no small part to STP and The Smashing Pumpkins (whose song titles almost never made sense). If you're in the same boat and deciding whether to buy this album, listen to the samples of THESE SONGS (if you listened to rock in the '90s, you'll know every one of them): "Zero," "Bullet with Butterfly Wings," "Muzzle," "Thirty-Three," "1979," and OF COURSE "Tonight, Tonight."
What's great about this album is that even though it's LOADED with content, there is NO FILLER--just push play and enjoy. Unless you're a hardcore Pumpkins fan, you won't love every song, but many of them will have you nodding your head to the beat. My favorites (beyond the singles) are "An Ode To No One," "Jellybelly" and "Here Is No Why."
This album is practically a greatest hits in its own rite, and if you do as I did and buy it along with Siamese Dream, and you will have every Pumpkins radio hit from the mid-'90s--and in my opinion, ALL of their best work!
Rating: 
(5
out of 5) @ 2008-12-14
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Impressive And Ambitious
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"Mellon Collie and the Infinite Sadness" is an incredible work from the American alternative band The Smashing Pumpkins. Released on October 24th of 1995, the double CD (triple album) features some incredibly diverse styles and more input from D'arcy Wretzky and James Iha, though certainly Billy Corgan is still the dominant creative member of the band.
The album is not afraid to take some chances. It opens with an instrumental, which is relatively soft. There is tremendous diversity, as the sound can go from acoustic to very heavy and vice-versa from one song to the next. The majority of the album is made up of relatively short pieces of less than five minutes, but there are a few longer pieces mixed in with the 28 tracks. The shorter pieces tend to stick to one type of sound, while a couple of the longer pieces are more diverse within themselves.
The opening instrumental leads into the excellent "Tonight, Tonight", but the softer and more orchestrated sound doesn't sound last as it then turns much heavier with tracks like "Jellybelly", and "Zero", and the first single "Bullet With Butterfly Wings". The contrast in sounds goes back and forth, between the heavy and the light until eventually the group delivers a longer piece itself filled with contrast in "Porcelina of the Vast Oceans", which is then followed with the first half closer "Take Me Down". The album is a concept album of sorts, dealing with the very simple realities of life and death.
The second CD is more of the same, which is to say more diversity of sound and more changes and surprises. The transition from "1979" to "Tales of a Scorched Earth" is a great example of moving from one type of sound to almost its polar opposite from track to track. Not that every track change is so dramatic, but their changes help to keep things fresh and interesting. There also is a rather unusual use of tunings as well as instruments. Overall, this is an album which one needs to listen to many times, and one which the listener will hear something new each time. With its incredible diversity, there may be pieces which you don't like on this album, but for myself I found that they were all at least intriguing. From the titles mentioned before, to the delightfully odd "We Only Come Out at Night" and the simple love song "Lilly (My One and Only)", this is a great album to experience over and over.
The Smashing Pumpkins are Billy Corgan (lead vocal, guitar, piano), James Iha (guitar, vocals), D'arcy Wretzky (bass, vocals), and Jimmy Chamberlin (drums, vocals). Guest artists include the Chicago Symphony Orchestra ("Tonight, Tonight"), and Greg Leisz (pedal and lap steel guitar on "Take Me Down")
Rating:
(5
out of 5) @ 2008-10-17
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Amazing!
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This album is in a league of it's own. The diligence with which this album was written truly shows. Nothing short of genius. Just remember, the Pumpkins always deliver.
Rating:
(5
out of 5) @ 2008-09-30
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Half and Half...
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There are some UNDOUBTEDLY classic songs on this album, and Billy Corgan's songwriting is top notch! However, I'd say I enjoyed only about half of the songs on the disc. Billy Corgan's voice can be annoying sometimes, and their "harder" songs are poorly executed and just kinda emo-ish and lame. This album should be listened to in sort of a story structure, but for a new Smashing Pumpkin fan like myself, stick to Siamese Dream for now.
Rating: 
(3
out of 5) @ 2008-09-28
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